WITHIN TEMPORAL, LINGUISTIC & OCULAR CONSTRAINTS
AN OUTLINE OF AN INVENTORY OF SOME STRICTLY VISIBLE THINGS MAY BE MADE PRODUCED
WE HAVE OCCUPIED THE REGIME OF DEPICTION
WE HAVE RECORDED AND RECODED
THE CONVENTIONAL SYMBOLS & CLASSICAL GESTURES
& REFORMULATED IT INTO A RADICAL ACT
BUT THERE ARE OBVIOUS LIMITS TO SUCH AN UNDERTAKING
A DISSIPATED REGIME DOES NOT DISAPPEAR
ITS MATERIAL NATURE REFRACTS & CONDENSES
& EVAPORATES INTO THE WORLD AT LARGE
WITH WEARY VISION & WITH BLURRY LANGUAGE
FROM HERE THE VISUAL & CULTURAL VARIANTS COLLIDE
& MEANING CAN BE CONSTRUCTED WITHIN THE VARIATIONS
ALTERATIONS IN DAYLIGHT
HYPOTHETICAL GESTURES
INDISTINCT SHADOWS
SEEING AS AN ARCHITECTURE FOR AN APPARATUS
WE HAVE OVERTURNED THE TEMPORAL IMPERATIVES
IN SEARCH OF DIFFERENCE
TIME REFRACTED LIKE LIGHTRAYS
WITH OR WITHOUT THE PARTICIPATION OF AN AUDIENCE
WITH OR WITHOUT SLIGHT CHANGES IN THE LIGHT
TIME AS A NETWORK OF MATERIAL RELATIONS
BETWEEN THE VISUAL & THE TEMPORAL
BETWEEN MOMENTS OF EMPTINESS
WE WILL BUILD A STRUCTURE UPON WHICH OTHER STRUCTURES MAY BE BUILT
WE WILL CREATE A FRAMEWORK ONTO WHICH IMAGES MAY BE FASTENED
INTO WHICH LANGUAGE MAY BE STUFFED
AROUND WHICH TIME MAY BE STREWN
INSOFAR AS A REGIME MAY BE REFORMULATED
& INASMUCH AS DEPICTION MAY BE OCCUPIED
LIKE A SITE OR A STATE OR A BODY & ITS NEEDS