ESSAYS
The Functions of Scripts, Inscriptions, Scenographies and Durations (in relation to a Spectator)
General Conditions for the Production and Exhibition of Images
SCRIPTS FOR EXHIBITIONS
IN ADVANCE OF A SHIPWRECK:
ON THE FIGURE IN RELATION TO REPRESENTATIONAL SYSTEMS
BETWEEN THE SOUP & THE CLOUDS & IN EQUAL MEASURE:
FADE IN: A TRACKING SHOT
SCRIPTS FOR PLAYS
& faintly heard (as it sinks, slowly):
Cut With Some Scenes of Cinematography: A Sonata for Two Women
Scenes at an Inauguration (collaboration with Keren Cytter)
In Like a Lion, Out Like a Leech: A Lecture in Ten Scenes
In Like a Leech, Out Like a Lamb: A Lecture in Ten Scenes
SCRIPTS FOR SPEECHES
AS WATER DISSOLVES SUGAR: (for Paris Internationale)
TO THE SPECTATOR: (for Tanya Leighton)
IN DARK AGES: (for Keren Cytter)
WITHIN THE REGIME OF OPTICS: (for Natalia Hug)
GET DRUNK! (for Good Forever)
When the cast invades the streets tonight... (for Taylor Macklin)
Culture is an endless cigarette... (for Henning Fehr and Philipp Rühr)
Communiqué from the Dark Ages (for Between Arrival & Departure)
YOUR IDEOLOGY IS OUR PLAYGROUND (for Alex Wissel and Jan Bonny)
In a culture... (for Museum Morsbroich)
CURTAINS UP! (for New Theater)
CUT! (for Alex Wissel)
HARK! (for Tanya Leighton)
A door left open... (for Markus Ambach)
INAUGURATION! (for Quadriennale Düsseldorf)
TEXTS FOR POSTERS
ALTERATIONS IN DAYLIGHT: HYPOTHETICAL GESTURES: INDISTINCT SHADOWS
A QUANTITY OF LIGHT . . . A REVERBERATING OF METALS . . . A SEQUENCING OF MOMENTS . . .
BEHOLD!
